![Gerald Laing, B.B. (Brigitte Bardot), 1968](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/thefineartsociety/images/view/2b25090178a3e7d2e0a4b336fe667cf4j/thefineartsocietyltd-gerald-laing-b.b.-brigitte-bardot-1968.jpg)
Gerald Laing 1936-2011
B.B. (Brigitte Bardot), 1968
signed, titled, dated and numbered 98/200 in pencil to margin
screenprint
printed and published by the artist (with his blindstamp)
printed and published by the artist (with his blindstamp)
edition 98 of 200
sheet: 23 x 35 inches | 58.8 x 89 cm
21 x 20 ½ inches | 53 x 52 cm
21 x 20 ½ inches | 53 x 52 cm
'My first Muse, in 1963, was Brigitte Bardot, who achieved a very early revival of the genre after the War's end and its grim grey aftermath. I painted my image...
"My first Muse, in 1963, was Brigitte Bardot, who achieved a very early revival of the genre after the War's end and its grim grey aftermath. I painted my image of her during my third year at St Martin's, after I' d moved my worksite in despair from the dismal painting studios to the top landing of the staircase...
The painting measures 152.5 x 122 cm and the source for it was the logo on the request for entries for the 1963 'Young Contemporaries' exhibition – a black and white photograph of Brigitte Bardot on which a black circle had been superimposed. I quite cheekily painted this image and submitted it for the exhibition, and it was duly selected. Now, with the passage of time, my image has eclipsed its long-forgotten source. It's fair to say that 'BB' is now one of the icons of the 60s Pop movement, that it is well-known. . . " – G L
By capitalising on Bardot’s fame and using the bold geometric shape imposed over her face, Laing created one of the most memorable images of early Pop art. The actor Roddy Maude-Roxby visited Laing at St Martin’s having heard about it and purchased it immediately for £50. It stayed in his collection until 2014 when it was sold at Christie’s for a record sum of £902,500.
[from the exhibition catalogue of 'Gerald Laing - Myth & Muse: the cult of celebrity', The Fine Art Society, 2024]
The painting measures 152.5 x 122 cm and the source for it was the logo on the request for entries for the 1963 'Young Contemporaries' exhibition – a black and white photograph of Brigitte Bardot on which a black circle had been superimposed. I quite cheekily painted this image and submitted it for the exhibition, and it was duly selected. Now, with the passage of time, my image has eclipsed its long-forgotten source. It's fair to say that 'BB' is now one of the icons of the 60s Pop movement, that it is well-known. . . " – G L
By capitalising on Bardot’s fame and using the bold geometric shape imposed over her face, Laing created one of the most memorable images of early Pop art. The actor Roddy Maude-Roxby visited Laing at St Martin’s having heard about it and purchased it immediately for £50. It stayed in his collection until 2014 when it was sold at Christie’s for a record sum of £902,500.
[from the exhibition catalogue of 'Gerald Laing - Myth & Muse: the cult of celebrity', The Fine Art Society, 2024]
Provenance
The artist's estate, catalogue raisonné no. P23 (Ingram and Halliwell 022)Literature
Rupert Halliwell & Lyndsey Ingram, Gerald Laing: Prints and Multiples, A Catalogue Raisonné (London, 2006)
Gerald Laing: Graphics, exh. catalogue, Morton Metropolis (London, 2010)